AT&T: iPhone X

What do you do when you’re shooting a commercial for a phone so secret you can’t have one on set? You grab your gear, make a 3D printed stand-in, fly to New York on a moment’s notice, shoot some HDRs, and fix it in post!

Working with our friends at Infinite Fiction, I handled on-set VFX supervision, texturing, lighting, match move, and compositing.